Book Art Object is an ongoing project bringing together book artists around the world (but mostly Australia during this leg of the journey) to respond to a set text in the form of an editioned artist’s book. Each participant gets a copy of everyone’s work.
The suggestion of an extract from Jeanette Winterson’s Art and Lies novel was, I confess, mine. From the moment I’d read the book, years and years ago, I’d been enthralled by her vision of the Library of Alexandria: Continue reading
Book Art Object is an ongoing project bringing together book artists around the world (but mostly Australia during this leg of the journey) to respond to a set text in the form of an editioned artist’s book. Each participant gets a copy of everyone’s work. This post, cross-posted with the Book Art Object blog, was written when I’d finished production on my offering. Continue reading
There’s a new gallery in the country town of Braidwood, called The Left Hand. It’s located at 18 Lascelles St, the blue house on the right if you’re heading there from Canberra (after the left-hand turn to the coast) or on the way into town if you’re coming from Batemans Bay. It’s only open on weekends, and by appointment at other times. Continue reading
When I first discovered that I’d misprinted an entire section of my fine press book, Poems to Hold or Let Go (by Rosemary Dobson), I was really cranky at myself. It was a lot of paper to waste, and it was/is very lovely Magnani Vergata book paper, an Italian mould-made fine rag paper. Luckily I’d only printed one side of the sheet (I’d transposed the poems, so that they were on the wrong pages), so I could do something useful with the other side. Continue reading
Book Art Object is an ongoing project bringing together book artists around Australia to respond to a set text in the form of an editioned artist’s book. Each participant gets a copy of everyone’s work.
Learning Absence, 2010. Artist’s book of letterpress and monoprints on Kozo washi. Text is the poem Learning Absence, 1986 by Rosemary Dobson. Handprinted and bound in a hardcover Asian stab binding with either handmade denim rag endpapers (made by Katharine Nix) or blue commercial momigami endpapers. Edition of 15, made for the Book Art Object project. The poem is reproduced with permission from the poet and is taken from her Collected Poems (Sydney: Angus & Robertson, 1991). Continue reading
Blue, 2010. Unique artist’s book of found text collaged onto a pianola roll fragment. Available. Continue reading
Feel the Fell. Unique artist’s book of letterpress and offset letterpress ink on Chinese roll paper with handsewn whirlwind binding. Text by Gerard Manley Hopkins. Design and production by Ampersand Duck.
Held in the Artspace Mackay Collection, Queensland, Australia. Continue reading
Ampersand Duck is proud to announce the release of a new artists’ book.
Those Who Travel is a very special collaboration by four artists: Sarah Rice, Patsy Payne, Ampersand Duck and Shellaine Godbold. Continue reading
Shared Rooms: Poems by Anna Akhmatova with Translations by Natalie Staples and Imitations by Rosemary Dobson and David Campbell
Letterpress and monoprints on Zerkal Wove paper, housed in screenprinted acetate envelopes, contained in a bookcloth-covered box with a perspex drawer (boxed) or a printed card slipcase (softbound ). English text handset in Perpetua and Times; Russian text set in Latinski and printed by letterpress using photopolymer plates. Continue reading