The Complete Book

I try to teach at the Sturt Craft School each year if I can; they have marvellous Summer and Winter Schools where you live-in at the adjoining Frensham School and attend classes every day for a week, so it’s wonderfully intensive.*

neckoracle

Neckoracle (Know): edible book, stage 2, 2010. Fortune cookies, sacred string.

Continue reading

Book Art Object 3. Quagmire: IT and Lies (2011)

Book Art Object is an ongoing project bringing together book artists around the world (but mostly Australia during this leg of the journey) to respond to a set text in the form of an editioned artist’s book. Each participant gets a copy of everyone’s work.

The suggestion of an extract from Jeanette Winterson’s Art and Lies novel was, I confess, mine. From the moment I’d read the book, years and years ago, I’d been enthralled by her vision of the Library of Alexandria: Continue reading

Book Art Object 2. Paper Wrestling (2010)

Book Art Object is an ongoing project bringing together book artists around the world (but mostly Australia during this leg of the journey) to respond to a set text in the form of an editioned artist’s book. Each participant gets a copy of everyone’s work. This post, cross-posted with the Book Art Object blog, was written when I’d finished production on my offering. Continue reading

String Books, Braidwood

There’s a new gallery in the country town of Braidwood, called The Left Hand. It’s located at 18 Lascelles St, the blue house on the right if you’re heading there from Canberra (after the left-hand turn to the coast) or on the way into town if you’re coming from Batemans Bay. It’s only open on weekends, and by appointment at other times. Continue reading

Hold, or Let Go: Grieving, 2009

When I first discovered that I’d misprinted an entire section of my fine press book, Poems to Hold or Let Go (by Rosemary Dobson), I was really cranky at myself. It was a lot of paper to waste, and it was/is very lovely Magnani Vergata book paper, an Italian mould-made fine rag paper. Luckily I’d only printed one side of the sheet (I’d transposed the poems, so that they were on the wrong pages), so I could do something useful with the other side. Continue reading

Book Art Object 1. Learning Absence, 1986 (2010)

Book Art Object is an ongoing project bringing together book artists around Australia to respond to a set text in the form of an editioned artist’s book. Each participant gets a copy of everyone’s work.

Learning Absence, 2010. Artist’s book of letterpress and monoprints on Kozo washi. Text is the poem Learning Absence, 1986 by Rosemary Dobson. Handprinted and bound in a hardcover Asian stab binding with either handmade denim rag endpapers (made by Katharine Nix) or blue commercial momigami endpapers. Edition of 15, made for the Book Art Object project. The poem is reproduced with permission from the poet and is taken from her Collected Poems (Sydney: Angus & Robertson, 1991). Continue reading